{"title":"Coyote Oldman","description":"","products":[{"product_id":"coyote-oldman-thunder-chord","title":"Coyote Oldman - Thunder Chord","description":"\u003cp\u003e\"Thunder Chord presents \u003cspan\u003eCoyote Oldman\u003c\/span\u003e's most developed music in a continuum mixing flutes and their reverberating timetrails into new harmonies, transporting listeners to a deeper world. Like most authentic spacemusic, it \"weaves a gentle spell of calm and profound peacefulness.  Coyote Oldman's music echoes across the plains like a haunted memory carried on the winds of the past.\"\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e- John Diliberto, CD Review writer and producer of Echoes (NPR national music service)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA chance meeting over a handmade wooden flute at an Oklahoma crafts fair, the discovery of a shared interest in indigenous music of the Americas, and a perfectly complementary working relationship gave birth to the cohesive identity of Coyote Oldman.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThough they employ native American instruments and iconography in their recordings, both members of the Coyote Oldman team have only fractional American Indian ancestry. Nor are they traditional ethnic romanticists. In fact, behind the effortless sounding surface of their music you'll find a pair of dedicated, relentless, unorthodox experimentalists.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMaybe just living on the rolling prairies of the American heartland opens the ear to the subtle harmonies, the soothing continuities, and the dramatic spaces of this music.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLike most authentic spacemusic, you can hear this album on several levels. As a quiet background it \"weaves a gentle spell of calm and profound peacefulness.\" Sit down and listen on earphones or loud enough to fill up your room, and you're only a neuro-shift away from serious time and space travel. Somewhere in between, it's \"haunting,\" \"ethereal,\" \"mysterious.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe don't have the right language for this yet, but every reviewer attempts to pin down the mysterious aura, the atmosphere Coyote Oldman creates a virtual environment so seamless that it takes the most determined analytical effort to focus on the individual components of the sound, only to be pulled back immediately into the larger image.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBARRY STRAMP and MICHAEL GRAHAM ALLEN have recognized that to carry an ancient sound back to the present you have to master the contemporary vehicle. With cool passion and without romanticizing its source material, Thunder Chord presents their most developed music and most sophisticated sound, in a continuum extending from the distant keening of a single flute to the massive thunderwaves of a ten foot sheet of pure titanium. These sonic alchemists mix flutes and their reverberating timetrails into new harmonies, transporting listeners to a deeper world, singing a pure and timeless emotional language elegantly enveloped in a 3-D digital ambiance.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCredits\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eComposed, performed, and recorded by\u003cbr data-mce-fragment=\"1\"\u003eMichael Graham Allen and Barry Stramp\u003cbr data-mce-fragment=\"1\"\u003ePrimitive flutes and panpipes handmade\u003cbr data-mce-fragment=\"1\"\u003eby Michael Graham Allen, Many of the\u003cbr data-mce-fragment=\"1\"\u003einstruments are based on archeological\u003cbr data-mce-fragment=\"1\"\u003eartifacts and have no generally\u003cbr data-mce-fragment=\"1\"\u003erecognized names.\u003cbr data-mce-fragment=\"1\"\u003eTextural sound design: Barry Stramp, by\u003cbr data-mce-fragment=\"1\"\u003eanalog and digital signal processing of\u003cbr data-mce-fragment=\"1\"\u003ethe acoustic instruments\u003cbr data-mce-fragment=\"1\"\u003eNo synthesizers or samplers are used on\u003cbr data-mce-fragment=\"1\"\u003ethis or previous Coyote Oldman recordings.\u003cbr data-mce-fragment=\"1\"\u003eCD mastering: Dave Collins and Mark\u003cbr data-mce-fragment=\"1\"\u003eTindle, A\u0026amp; M Studios, Hollywood\u003cbr data-mce-fragment=\"1\"\u003eSpecial Thanks Dr Richard Payne.\u003cbr data-mce-fragment=\"1\"\u003eJoel H1 Young, Mary Jane Allen,\u003cbr data-mce-fragment=\"1\"\u003ePatty Pierce Dana Brown, Sue Brown\u003cbr data-mce-fragment=\"1\"\u003eMarcy Straw and Levla Rael Hill\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e2-HOS-11022\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Hearts of Space Records","offers":[{"title":"CD","offer_id":10400313091,"sku":"2-HOS-11022","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Album","offer_id":10400313155,"sku":"2-HOS-11022D","price":8.98,"currency_code":"USD","in_stock":true},{"title":"WAV Album","offer_id":10400313219,"sku":"2-HOS-11022L","price":11.98,"currency_code":"USD","in_stock":true},{"title":"Ascent (MP3)","offer_id":23928640646,"sku":"USAKS0600043","price":0.99,"currency_code":"USD","in_stock":true},{"title":"Thunder Chord (MP3)","offer_id":23928647046,"sku":"USAKS0600044","price":0.99,"currency_code":"USD","in_stock":true},{"title":"Turtle Island (MP3)","offer_id":23928650246,"sku":"USAKS0600045","price":0.99,"currency_code":"USD","in_stock":true},{"title":"Medicine Flute (MP3)","offer_id":23928651974,"sku":"USAKS0600046","price":0.99,"currency_code":"USD","in_stock":true},{"title":"Planting (MP3)","offer_id":23928654278,"sku":"USAKS0600047","price":0.99,"currency_code":"USD","in_stock":true},{"title":"Field of Clouds (MP3)","offer_id":23928656390,"sku":"USAKS0600048","price":2.99,"currency_code":"USD","in_stock":true},{"title":"Wind Shadows (MP3)","offer_id":23928661382,"sku":"USAKS0600049","price":0.99,"currency_code":"USD","in_stock":true},{"title":"Shining Prairie (MP3)","offer_id":23928675590,"sku":"USAKS0600050","price":0.99,"currency_code":"USD","in_stock":true},{"title":"Ascent (WAV)","offer_id":23928681606,"sku":"USAKS0600043L","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Thunder Chord (WAV)","offer_id":23928736198,"sku":"USAKS0600044L","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Turtle Island (WAV)","offer_id":23928744326,"sku":"USAKS0600045L","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Medicine Flute (WAV)","offer_id":23928778822,"sku":"USAKS0600046L","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Planting (WAV)","offer_id":23928806470,"sku":"USAKS0600047L","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Field of Clouds (WAV)","offer_id":23928823558,"sku":"USAKS0600048L","price":3.99,"currency_code":"USD","in_stock":true},{"title":"Wind Shadows (WAV)","offer_id":23928836230,"sku":"USAKS0600049L","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Shining Prairie (WAV)","offer_id":23928845382,"sku":"USAKS0600050L","price":1.29,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0947\/6410\/products\/Thunder-Chord.png?v=1449852030"},{"product_id":"coyote-oldman-in-beauty-i-walk","title":"Coyote Oldman - In Beauty I Walk: The Best of Coyote Oldman","description":"\u003cp\u003eSince 1986 COYOTE OLDMAN have evolved a powerful fusion of ancient wind instruments and creative sound design, and sold well over half a million records, setting the standard for the Native flute genre. Here's the very best of this ground-breaking group's first seven albums. The German composer Karlheinz Stockhausen once said that concepts of beginnings and endings in music were artificial. \"To present a work of art with a particular beginning and end is only an illusion,\" he proclaimed. \"It is one proposition of an excerpt of time, the timeless time.\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCoyote Oldman lives in this time. With the first breath into their flutes, they open a gateway into this timeless world of sound. Between that first breath and the last exhalation, Coyote Oldman pulls down a sound that could have come from some mythical gathering in a prehistoric kiva, or a cyberspace meeting 20 minutes into the future.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe navigation chart for Coyote Oldman's odyssey can be found on the title track of their first album, Night Forest. It opens with a simple solo flute calling out across a canyon of digital echo. For 95% of the Native flute albums out there, that's as far as the trip goes. For Coyote Oldman's MICHAEL GRAHAM ALLEN and BARRY STRAMP it's just the beginning, as the piece evolves into a serpentine melody, joined by one, then another flute weaving ghost echoes and sympathetic resonances.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTheir name comes from Oldman Coyote, the trickster and sometimes fool of Native American mythology. It was the name of Allen's flute company and it hung on, even though none of those characteristics would apply to Coyote Oldman. But Allen and Stramp do play Native flutes, as well as Incan pan-pipes and ocarinas and they use Native American iconography to give their music some kind of metaphorical-spiritual grounding.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDespite these Native cultural connections, Allen and Stramp make no glorification of their fractional Native ancestry. Instead, Coyote Oldman operates from a core sound in which many cultures are embodied. As much as they are playing Native music, you could also say they're playing Medieval hymns, 20th century space music or Tibetan chants. Coyote Oldman draws intrinsic links with other cultures, evoking, but not playing, the shakuhachi flute of Japan and the bansuri flute of India. On \"Lunar Symphony\" they sound like a cathedral pipe organ, with unimaginably low flutes booming out a rolling pedal tone.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlabama-born Michael Graham Allen met Oklahoma-bred Barry Stramp in 1981 at an Oklahoma City crafts fair. Allen was there selling his hand-made Native flutes. At the time renowned Native flutist R. Carlos Nakai hadn't yet ignited the Native flute boom, and they were still a curiosity bordering on oblivion.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAllen is the founder, principal flutist and composer of the group. He is also the craftsman and earth voice of the duo. He researches the history of his instruments, tracking down flutes from many countries, but especially Native cultures of the western hemisphere. On this album you can hear flutes that Allen may have made a few days before the recording and clay ocarinas that might date back hundreds of years.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBarry Stramp is the modernist of the group. Classically trained in concert flute and composition, he also studied engineering and physics. That means he can drop references to Pierre Boulez and IRCAM as well as DSP and FFT processing into a conversation that started about live performance. It's Stramp's skill at studio manipulation that turns the raw material of Allen's flutes into the expansive soundscapes that are Coyote Oldman. They work together, manipulating the sound in real time, feeding back off the echoes, reverb, and harmonization as if creating a superflute. On pieces like \"Ancient Light,\" they use these studio transformations to create traceries in the air as the high flutes descend through the atmosphere.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere is a remarkable synergy between these musicians. As soon as Allen would hear one of Stramp's manipulations, like his pan-pipes pitched down a few octaves, he'd go home and invent an instrument that would give him the same effect acoustically. One of these inventions, the C# Bass Flute, looks like the overgrown child of a bassoon and a Native flute. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFor Coyote Oldman nothing is pure, but everything is purity. They mix technologies, create hybrid flutes and even bring in other instruments like Stramp's Chapman Stick on \"Iron Wood,\" and MICHAEL FITZSIMMONS's percussion on \"Dawn Procession.\" On \"Compassion,\" the mournful soprano of singer HUI CHENG of the Chinese National Opera is etched across Coyote Oldman's solemn bass flutes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFor the most part, however, they stay, in Allen's words, \"in our own backyard.\" You can hear Stramp playing shakuhachi and bansuri flutes on his solo album A Sky of Dreams as well as on Invisible Rhythm with his group, Satori. But in Coyote Oldman, it's strictly wind instruments from the New World.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"The Shape of Time,\" the most recent track on In Beauty I Walk, points to new directions for Coyote Oldman. Flutes sing like enormous train-whistles, creating Doppler effects through metallic tamboura-like drones, mysterious percussion and disembodied voices. It seems like no less than the sound of the universe opening up before you. For Coyote Oldman, that really isn't such a new direction after all. They are, as Stockhausen suggests, surfing the winds of a timeless sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e \u003c\/p\u003e\n\u003ctable class=\"playlist\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicGroup\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"first tracklist_track track\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003e1\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\" itemprop=\"name\"\u003eAncient Light\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e3:35\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003e2\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\" itemprop=\"name\"\u003eNight Forest\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e7:58\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003e3\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\" itemprop=\"name\"\u003ePeople Of The Glacier\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e9:00\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003e4\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\" itemprop=\"name\"\u003eRolling Earth\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e3:17\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003e5\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\" itemprop=\"name\"\u003eIron Wood\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e6:02\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003e6\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\" itemprop=\"name\"\u003eTear Of The Moon\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e9:56\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003e7\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\" itemprop=\"name\"\u003eDawn Procession\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e4:28\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003e8\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\" itemprop=\"name\"\u003eLunar Symphony\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e6:30\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003e9\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\" itemprop=\"name\"\u003eCompassion\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e5:20\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003e10\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\" itemprop=\"name\"\u003eThunder Chord\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e5:26\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003e11\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\" itemprop=\"name\"\u003eThe Shape Of Time\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e8:38\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003e12\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\" itemprop=\"name\"\u003eA Splendid Sky\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e2:36\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e2-HOS-11074\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003eCredits\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eComposed, performed, and produced by Michael Graham Allen and Barry Stramp\u003cbr data-mce-fragment=\"1\"\u003eOriginal tracks recorded and mixed 1986-1995 by Barry Stramp and Michael Graham Allen\u003cbr data-mce-fragment=\"1\"\u003eMany of the instruments used are handmade flutes and panpipes custom designed by Michael Graham Allen\u003cbr data-mce-fragment=\"1\"\u003eCompilation produced by Stephen Hill Digital remastering Stephen Hill and Bob Olhsson\u003cbr data-mce-fragment=\"1\"\u003eat Hearts of Space Studio, Sausalito, California\u003cbr data-mce-fragment=\"1\"\u003eAll compositions ©1986- 1995 Xenotrope Music\/BMI\u003cbr data-mce-fragment=\"1\"\u003eLandscape Photography David Munch Flute Photograph Sanford Mauldin\u003cbr data-mce-fragment=\"1\"\u003eArt Direction Stephen Hill\u003cbr data-mce-fragment=\"1\"\u003eDesign and Production Cynthia Wigginton\u003cbr data-mce-fragment=\"1\"\u003eAll compositions previously\u003cbr data-mce-fragment=\"1\"\u003ereleased on Coyote Oldman albums\u003c\/p\u003e\n\u003cstyle\u003e\u003c\/style\u003e","brand":"Hearts of Space Records","offers":[{"title":"CD","offer_id":10599080067,"sku":"2-HOS-11074","price":16.98,"currency_code":"USD","in_stock":true},{"title":"MP3 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src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2605730861\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/heartsofspacerecords.bandcamp.com\/album\/house-made-of-dawn\"\u003eHouse Made of Dawn by Coyote Oldman\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/center\u003e\n\u003cbr\u003e\n\u003cp style=\"text-align: left;\"\u003eCoyote Oldman are MICHAEL GRAHAM ALLEN and BARRY STRAMP. Their subtle, creative approach to the Native American flute has inspired a host of imitators, but no one has matched their inspired studio transformation of these archaic instruments of wood and breath into the ecstatic realm of ethereal sonics. House Made of Dawn achieves a seamless equilibrium between man and nature, earth and sky, sound and space.\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan class=\"descript\"\u003e- STEPHEN HILL\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"descript\"\u003e\"There really is not adequate terminology to describe what we, as Coyote Oldman, do with sound or how we create music.  It all began by the accidental use of experimental technology to extend the natural melodic scales of ancient wooden flutes within a morphing virtual acoustic environment. These aurally immersive worlds we continue to explore are unbounded by physical reality and have been likened to synesthesia: seeing sounds, hearing colors. One small boy termed it \"the sound of God singing.\" Another said \"I've heard this music before, it's what I hear when I'm dreaming.\u003cbr\u003e\u003cbr\u003eSince Michael and I began the synergistic collaboration known as Coyote Oldman in 1985, the hallmark of our sound has been the interactive combination of lyrical primitive flute and sound manipulation improvisations. Though we have often branched out from this core over our previous nine releases, it is the leading voice on this recording. Astride this unique artistic and scientific vehicle, we humbly continue our search for musical truth and beauty across the borders of time and space. \u003cbr\u003e\u003cbr\u003eHouse Made of Dawn was recorded over a two year period spanning 1997 to 1999. Michael developed the concept and the exquisite primary melodic motifs that propel this project. He constructed instruments in new modal scales, designed specifically for the recording. I performed prototypical music experiments and researched new chaos-driven sound manipulation techniques in my audio laboratory. We joined forces in the studio for intensive bursts of composing, recording and mixing. \u003cbr\u003e\u003cbr\u003eI see our process of creating this music as one of discovering sounds that are already there, given the appropriate conditions for them to exist. We grow music in a garden of pulsating air molecules and electrons, planted by breath and dancing neurons, tended by our thoughts and emotions, fed by the light of the past and the promise of the future. House Made of Dawn is a metaphor for the process by which it was made, for personal discovery and for the possibilities that await humanity in the new millennium.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan class=\"descript\"\u003e- BARRY STRAMP 1999 \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"descript\"\u003e\"A part of us exists hidden in warm velvet darkness, a pale fluid brightness like a tear of the moon: our connection to the great mystery. As your own personal dawn approaches, your soul, in soft luminescence, enters your waking world like a house made of dawn. \u003cbr\u003e\u003cbr\u003eAnd in my heart, I feel that we humans are at a beginning. Our civilization is just stepping toward the light, holding something vastly precious: a future. \u003cbr\u003e\u003cbr\u003eAnd the light is just touching the horizon. \u003cbr\u003e\u003cbr\u003eI wish to express gratitude to the many people who have expanded our knowledge of this life, this world, and this cosmos: those who have the playfulness to ask the right questions and the courage to accept new answers.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan class=\"descript\"\u003e- MICHAEL GRAHAM ALLEN 1999\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"descript\"\u003e\"Coyote Oldman open a gateway into a timeless world of sound with the first breath into their flutes. Between that first breath and the last exhalation, Michael Graham Allen and Barry Stramp (who comprise Coyote Oldman) pull down a sound that could have come from some mythical gathering in a prehistoric kiva, or a cyberspace meeting 20 minutes into the future. \u003cbr\u003e\u003cbr\u003eTheir name comes from Oldman Coyote, the trickster and sometimes fool of Native American mythology. It was the name of Allen's flute company and it hung on, even though none of those characteristics would apply to Coyote Oldman. But Allen and Stramp do play Native flutes, as well as Incan pan-pipes and ocarinas and they use Native American iconography to give their music some kind of metaphorical-spiritual grounding. \u003cbr\u003e\u003cbr\u003eDespite these Native cultural connections, Allen and Stramp make no glorification of their fractional Native ancestry. Instead, Coyote Oldman operates from a core sound in which many cultures are embodied. As much as they are playing Native music, you could also say they're playing Medieval hymns, 20th century space music or Tibetan chants. Coyote Oldman draws intrinsic links with other cultures, evoking, but not playing, the shakuhachi flute of Japan and the bansuri flute of India. \u003cbr\u003e\u003cbr\u003eAlabama-born Michael Graham Allen met Oklahoma-bred Barry Stramp in 1981 at an Oklahoma City crafts fair. Allen was there selling his hand-made Native flutes. At the time renowned Native flutist R. Carlos Nakai hadn't yet ignited the Native flute boom, and they were still a curiosity bordering on oblivion. \u003cbr\u003e\u003cbr\u003eAllen is the founder, principal flutist and composer of the group. He is also the craftsman and earth voice of the duo. He researches the history of his instruments, tracking down flutes from many countries, but especially Native cultures of the western hemisphere. On this album you can hear flutes that Allen may have made a few days before the recording and clay ocarinas that might date back hundreds of years. \u003cbr\u003e\u003cbr\u003eBarry Stramp is the modernist of the group. Classically trained in concert flute and composition, he also studied engineering and physics. That means he can drop references to Pierre Boulez and IRCAM as well as DSP and FFT processing into a conversation that started about live performance. It's Stramp's skill at studio manipulation that turns the raw material of Allen's flutes into the expansive soundscapes that are Coyote Oldman. They work together, manipulating the sound in real time, feeding back off the echoes, reverb, and harmonization as if creating a superflute. \u003cbr\u003e\u003cbr\u003eThere is a remarkable synergy between these musicians. They mix technologies, create hybrid flutes which sing like enormous train-whistles, creating Doppler effects through metallic tamboura-like drones, mysterious percussion and disembodied voices. It seems like no less than the sound of the universe opening up before you. Coyote Oldman are surfing the winds of a timeless sound.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e\u003cspan class=\"descript\"\u003e- JOHN DILIBERTO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e2-HOS-11093\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003eCredits\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMichael Graham Allen | New World Flutes. Medicine Flutes and Pan Pipes\u003cbr\u003eBarry Stramp | Modern Bass Flute, Pan Pipes and Sound Design\u003cbr\u003eSpecial thanks to: Mary Jane Allen, Leyla Hill. Christi Rayburn and the Hearts of Space staff.\u003cbr\u003eComposed, Produced, Performed and Recorded by Barry Stramp and Michael Graham Allen\u003cbr\u003eNew world flutes, medicine flutes and pan pipes researched, designed and constructed by Michael Graham Allen\u003cbr\u003eat Coyote Oldman Music, New Haven, Vermont. www.coyoteoldman.com\u003cbr\u003eSound design and textural acoustic processing researched, developed and realized by Barry Stramp\u003cbr\u003eat Ancient Sun Music. Norman, Oklahoma, www.ancientsun.com\u003cbr\u003e© 1999 Xenotrope Music BMI\u003c\/p\u003e\n\u003cp\u003eMastering | Bob Olhsson and Stephen Hill at\u003cbr\u003eHearts of Space Studio, Sausalito, California\u003cbr\u003eSequence | Stephen Hill\u003cbr\u003eArt direction and design | Stephen Hill\u003cbr\u003eDesign and production | Jeremy Hulette\u003cbr\u003eFlute photography I Sanford Mauldin\u003cbr\u003eCover and liner photos | Courtney Milne\u003cbr\u003ewww.courtneymilne.com\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Hearts of Space Records","offers":[{"title":"CD","offer_id":10678555011,"sku":"2-HOS-11093","price":16.98,"currency_code":"USD","in_stock":true},{"title":"MP3 Album","offer_id":10678555075,"sku":"2-HOS-11093D","price":8.98,"currency_code":"USD","in_stock":true},{"title":"WAV Album","offer_id":10678555139,"sku":"2-HOS-11093L","price":11.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0947\/6410\/products\/House-Made-of-Dawn.png?v=1449864096"},{"product_id":"various-artists-prophecy-a-hearts-of-space-native-american-collection","title":"Various Artists - Prophecy: A Hearts of Space Native American Collection","description":"\u003cp\u003e\"A harmonious and hope-filled album,\u003ci\u003eProphecy\u003c\/i\u003e reflects ancient wisdom and modern beauty.\"\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e- Heather Phares (All Music Guide)\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"descript\"\u003eThe last decade has seen a revival of interest in the Native American culture and one of the results of this rekindled interest has been a resurgence of Native American music. The Prophecy, a deeply moving compilation, was one of the most popular programs ever broadcast on the weekly public radio program, Music from Hearts of Space. This collection features such artists as Joanne Shenandoah, R. Carlos Nakai, Verdell Primeaux, Johnny Mike, John Serrie, David Darling, Peter Kater, the Blue Chip Orchestra and Lawrence laughing. The music has a lush and luxurious sound with layers of textures throughout the recordings.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e2-HOS-11111\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003eCredits\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eR Carlos Nakai - vocals, cedar flute\u003cbr\u003eWilliam Eaton - harp guitar, lyraharp guitar\u003cbr\u003eWill Clipman - udu\u003cbr\u003eCompilation Produced by STEVE DAVIS and STEPHEN HILL\u003cbr\u003eExecutive Producer LEVA R. 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Critically acclaimed, PROPHECY rekindled an interest in Native American culture and a resurgence in the music.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e2-HOS-11120\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCredits\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEXECUTIVE PRODUCER : ON BIRGE\u003cbr data-mce-fragment=\"1\"\u003ePRODUCED BY STEPHEN HILL\u003cbr data-mce-fragment=\"1\"\u003eLICENSING : AL EVERS\u003cbr data-mce-fragment=\"1\"\u003eMASTERING : STEPHEN HILL\u003cbr data-mce-fragment=\"1\"\u003eDESIGN : STEPHEN HILL\u003cbr data-mce-fragment=\"1\"\u003eIMAGES : ISTOCKPHOTO \u003c\/p\u003e\n\u003cstyle\u003e\u003c\/style\u003e","brand":"Hearts of Space Records","offers":[{"title":"CD","offer_id":10751076291,"sku":"2-HOS-11120","price":9.99,"currency_code":"USD","in_stock":true},{"title":"MP3 Album","offer_id":10751076355,"sku":"2-HOS-11120D","price":8.98,"currency_code":"USD","in_stock":true},{"title":"WAV Album","offer_id":10751076483,"sku":"2-HOS-11120L","price":11.98,"currency_code":"USD","in_stock":true},{"title":"Joanne Shenandoah\t- \"Peace and Power\" (MP3)","offer_id":28144574278,"sku":"USAKS0800008","price":0.89,"currency_code":"USD","in_stock":true},{"title":"Gary Malkin - \"Walk On\" (MP3)","offer_id":28144619270,"sku":"USAKS0800009","price":0.89,"currency_code":"USD","in_stock":true},{"title":"Peter Kater - \"The West\" (MP3)","offer_id":28144644038,"sku":"USAKS0800010","price":0.89,"currency_code":"USD","in_stock":true},{"title":"Johnny Whitehorse - \"Iron Horse\" (MP3)","offer_id":28144730630,"sku":"USAKS0800011","price":0.89,"currency_code":"USD","in_stock":true},{"title":"Jonn Serrie - \"Great Plains\" (MP3)","offer_id":28145010886,"sku":"USAKS0800012","price":0.89,"currency_code":"USD","in_stock":true},{"title":"Mary Youngblood - \"Silent Wolf\" (MP3)","offer_id":28145039750,"sku":"USAKS0800013","price":0.89,"currency_code":"USD","in_stock":true},{"title":"Ah*Nee*Mah - \"Echoes of Time\" (MP3)","offer_id":28145148742,"sku":"USAKS0800014","price":0.89,"currency_code":"USD","in_stock":true},{"title":"R. 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Executive Producer Leyla R. Mill Art Direction Stephen Hill\u003cbr data-mce-fragment=\"1\"\u003eDesign Rex Ray MEATS OF SPACE Records offers contemporary spacemusic, cross-cultural, ambient and\u003cbr data-mce-fragment=\"1\"\u003econtemplative recordings by musicians from around the world. Our weekly program Music from the\u003cbr data-mce-fragment=\"1\"\u003eHearts of Space has been heard since 1983 on over 300 Public Radio stations nationwide. 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This value-packed double disc set offers over 140 minutes of premium HOS music from such renowned creators of atmospheric music as Thomas Barquee, John Boswell, Kevin Braheny And Tim Clark, Coyote Oldman, Mychael Danna, David Darling, John Doan, Bill Douglas, Al Gromer Khan, Rasa, Robert Rich, Steve Roach, Paul Sauvanet, Oystein Sevag, Michael Stearns And Tim Story. Sequenced like two seamless HOS radio programs, Slow Music for Fast Times is \"an oasis of peace, contemplation and spiritual replenishment.\"\u003cbr\u003e\u003cbr\u003eAlso, check out SLOW MUSIC FOR YOGA, a hypnotic blend of relaxing harmonies and soothing rhythms with gentle Indian fusions that will inspire the listener to connect with their body, mind, and spirit. 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Named after the trickster Oldman Coyote of Native American mythology, Coyote Oldman mixes technology, music and culture in a unique, timeless blend. Flutists Michael Graham Allen and Barry Stramp combine their experience with the flute's history in the cultures of the world with a modern outlook and studio approach that gives their albums an innovative depth.\u003cbr\u003e\u003cbr\u003e\"The Under An Ancient Sky recording is part of a project that I started a few years ago involving the reintroduction of an extinct flute. The only flute used in the recording is a reconstruction of a 1200 year old Anasazi flute recovered in a dig in Arizona back in the 1930's. The flute is true to the ancient scale and all the music on the new CD was composed and performed on the ancient design. 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